Adrian Horton

Brooklyn Steel, New York

Stranger Things actor’s musical project has now gone from bedroom to the big stage and, while not all of it works, there’s energy to spare

By now, Djo is not a secret. The psychedelic electro-pop project led by Joe Keery, once an IYKYK solo bedroom-production artist, has reached the mainstream, making the festival circuit at Laneway, Coachella and Glastonbury. And Keery, an actor best known for playing foppish, helplessly winsome Steve Harrington on Stranger Things, has stepped out from the shadows of a persona initially meant to disguise his famous name; gone are the Scooby-Doo Shaggy-style wigs and costumes from Djo’s early performances, meant to dissociate any notion of the Upside Down from Keery’s longstanding interest in making music.

Oscar-winning actor gives first interview to Variety since working with Trump on plan to shake up Hollywood

Jon Voight, the actor who inspired Donald Trump’s surprise statement about placing a 100% tariff on foreign-made films, has given his first interview on the supposed plan to “give people back their dignity and their jobs”.

“Something has to be done, and it’s way past time,” the 86-year-old actor told Variety while he was, according to the magazine, “driving through what sounded like a car wash”.

Netflix series Turning Point: The Vietnam War goes back to retrace a devastating history from multiple perspectives

This Wednesday, 30 April, marks a full half century since the fall of Saigon. The takeover of the South Vietnamese capital, renamed Ho Chi Minh City, by North Vietnamese forces reunited a country riven by a decades-long civil war that killed more than 3 million civilians – a triumph of one vision of Vietnam’s future at the violent expense of another, with many caught perilously in between.

I spent entire nights in 2011 gabbing on Skype. As it shutters, I’m reminded of a bygone era of online intimacy

I doubt many people are mourning the demise of Skype. The sky-blue platform that revolutionized the video call, the medium for long-distance relationships in the early 2010s, had not been relevant for almost a decade when Microsoft announced its impending death. My own relationship with Skype’s clunky tangle of video, voice and chat peaked in 2011 – the same year Microsoft purchased it for a headline-making $8.5bn, only to let it wither in the shadow of professionalized, less-pixelated options. By 2014, it was basically obsolete, as video calls shifted to more integrated apps like FaceTime, and my college schedule did not allow for glitchy, hours-long catchups. Snapchat was far more efficient.