Crash at 20: is it the worst best picture winner of all time?
Paul Haggis’s interconnected drama about racism in Los Angeles remains one of the most embarrassing Oscar decisions ever made
It doesn’t take long for Paul Haggis’s Crash to end up on the shortest of shortlists for the worst film ever to win best picture at the Oscars, maybe the single worst in the color era since 1954’s Around the World in 80 Days. At the time, it was a dark-horse favorite to upset the widely acclaimed Brokeback Mountain, premiering a full year earlier at the Toronto film festival before riding an unexpected cultural wave to awards-season glory. Now 20 years later, it feels like a “you had to be there” moment that’s hard to explain, because the movie itself is so obviously rancid that it suggests few answers on its own. The job is probably better suited to cultural anthropologists than film critics.