News (old posts, page 808)
Previously Convicted Firearms Felon from Virginia Sentenced to 27 Months for Possession of Two Pistols in the District
Spanish National Pleads Guilty to Conspiring to Export U.S. Military-Grade Radios to Russian End Users
Spanish National Pleads Guilty to Conspiring to Export U.S. Military-Grade Radios to Russian End Users
Spanish National Pleads Guilty to Conspiring to Export U.S. Military-Grade Radios to Russian Government End Users
Spanish National Pleads Guilty to Conspiring to Export U.S. Military-Grade Radios to Russian Government End Users
Three Arizona Business Associates Now Charged With Operating Fraudulent Medical Clinics and Prescribing Unapproved Drugs to Treat Cancer
Three Arizona Business Associates Now Charged With Operating Fraudulent Medical Clinics and Prescribing Unapproved Drugs to Treat Cancer
Viking age burial site full of ancient objects found in Denmark, say experts
‘Spectacular’ discovery at site of about 30 graves includes pearls, coins, ceramics and a box containing gold thread
A 10th-century burial site believed to have belonged to a Viking noble family has been discovered in northern Denmark, packed with a “spectacular” trove of ancient objects, a museum has said.
The discovery came almost by chance when pearls, coins, ceramics and a box containing a gold thread were unearthed during construction work near Lisbjerg, a village located 4 miles (7km) north of Aarhus, Denmark’s second-largest city.
Continue reading...I Heart Willie review – public-domain slasher turns Mickey Mouse into slicer-and-dicer
A buff, bloodthirsty mouse-man terrorises Mexican teens in the latest horror schlock made from newly expired copyright
It seems “public domain horror movies” are now a proper thing: a cinematic subgenre of gory, uber-schlocky fearmongering that revolves around a well-known intellectual property, usually from the realm of children’s entertainment, whose copyright has expired. That means the makers are free to turn a beloved character into a murderous man-beast psychopath, with the Winnie-the-Pooh derived Blood and Honey franchise a prime example.
Meanwhile, the moment black-and-white cartoon Steamboat Willie, the 1928 debut of Mickey Mouse, entered the public domain, almost half a dozen Mickey-themed slasher pics were born, like spores released from a fruiting body. In a very low-bar environment, I Heart Willie is perhaps a tick better than previous public domain horrors, or maybe we have reached the film critic’s equivalent of Stockholm syndrome, with our defences worn down by shoddy production values, originality deficits and lame performances.
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