Republican cognitive dissonance is at an all-time high.
It was a tragic reminder that there are too many guns in this country.
The latest instalment marks a return to form after some recent duds, with all the expected Spielberg-style set pieces and excellent romantic chemistry between the leads
What a comeback. The Jurassic World film series had looked to be pretty much extinct after some increasingly dire dollops of franchise content: Fallen Kingdom in 2018 and Dominion in 2022. But now, against all odds, these dinosaurs have had a brand refresh: a brighter, breezier, funnier, incomparably better acted and better written film, with unashamed nods to the summer smashes of yesteryear, that makes sense of the dino-spectacle moments that earn their place.
Screenwriter David Koepp and director Gareth Edwards have been drafted in to take us back to basics with a new story, all but retconning the drama with a “17 years previously” flashback at the start that entirely (and thankfully) ignores the tiresome convoluted dullness of what has recently happened. Then we’re in the present day, when the existence of dinosaurs in the wild is accepted but they’ve all pretty much died out – except in and around the lush fictional Île Saint Hubert in the Caribbean.
Continue reading...Artificial intelligence has entered the personal chat. What does that say about human relationships?
Earlier this spring, Nik Vassev heard a high school friend’s mother had died. Vassev, a 32-year-old tech entrepreneur in Vancouver, Canada, opened up Claude AI, Anthropic’s artificial intelligence chatbot.
“My friend’s mom passed away and I’m trying to find the right way to be there for him and send him a message of support like a good friend,” he typed.
Continue reading...‘We added a level of sophistication to garage. When we were trying to get it on the radio, one station said it was too intelligent and they wouldn’t play it’
People say Battle reminds them of some really good years for Britain as a country. We were entering a new millennium, everyone was running their own business, making money and the underground record industry was thriving. I wanted to do a UK garage version of Southern Freeez, by the 80s UK funk band Freeez. Initially, Battle was going to be another instrumental, and then Lain, the singer, came in the room and goes: “Let me put something on this.” I was like: “I’m not sure it’s really a vocal song.” But Lain stacked the vocals, and someone compared it to Queen’s Bohemian Rhapsody, with all the harmonies.
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