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Edinburgh fringe 2025: the best theatre and comedy we’ve already reviewed

The festival has plenty of returning heroes, from Nina Conti to Nick Mohammed. Here are 10 shows our critics praised

In cult clown duo Xhloe and Natasha’s two-hander, we are swiftly in the US of LBJ, Beatlemania and Tom Sawyer-style outdoor adventuring. The pair portray muddy-kneed boy scouts who, against a backdrop of chirping insects and with the sole prop of a tyre, recount their hijinks with an emotional impact that sneaks up on you. Read the review. Chris Wiegand
theSpace @ Niddry St, 2-23 August

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‘I was constantly scared of what she was going to do’: the troubled life and shocking death of Immy Nunn

Two years after Immy killed herself, her mother Louise is still trying to understand how she found her way to a pro-suicide forum – and a man accused of supplying more than 1,000 packages of poison

Just a few hours before she ended her life, Immy Nunn seemed happy. She and her mother, Louise, had been shopping and had lunch. It was the final day of 2022 and Immy, who was 25, appeared positive about the new year. She talked about taking her driving test and looking for a new flat. She was excited about the opportunities her profile on TikTok was bringing her; known as Deaf Immy, she had nearly 800,000 followers, attracted by her honest and often funny videos about her deafness and her mental health.

By the early hours of the next morning, Immy was dead, having taken poison she bought online, almost certainly after discovering it through an online pro-suicide forum.

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Heathrow substation fire ‘caused by fault first identified seven years ago’

Ofgem opens investigation into National Grid as report finds incident that cut airport power was preventable

The root cause of the substation fire that shut Heathrow airport was a preventable technical fault that National Grid had been aware of seven years ago but failed to fix properly, investigators have concluded.

The final report by the National Energy System Operator (Neso) on the incident said the fire that cut power to the airport on 21 March, affecting more than 1,350 flights, almost 300,000 passengers and cutting power to 67,000 homes, was “most likely” sparked by moisture entering the insulation around wires.

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Kanye West barred from entering Australia over Hitler song, Tony Burke says

Home affairs minister says decision to revoke rapper’s visa came after widely condemned track released in May

The US rapper and artist Kanye West has been barred from travelling to Australia after the release of his widely condemned song Heil Hitler, which has been banned on Apple Music, Spotify and YouTube.

The home affairs minister, Tony Burke, disclosed on Wednesday that the government had revoked the rapper’s visa after his song referencing the Nazi leader Adolf Hitler was released independently in May.

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Larry: A New Biography of Lawrence Durrell by Michael Haag review – a Mediterranean life

This unfinished biography evokes Corfu and Alexandria – but leaves disturbing questions unanswered

Spirit of Place is a collection of minor travel pieces published by Lawrence Durrell in 1969. “Spirit of Place”, though, could easily serve as a descriptor for the entire arc of Durrell’s literary output: Prospero’s Cell (1945), an account of three years spent on Corfu before the second world war, the Cypriot memoir Bitter Lemons (1957), and the career-making Alexandria Quartet (1957-60). The islands and littorals of the Mediterranean gave Durrell his subject, remade by him into a theatre in which men and women, displaced by the political and social violence of the mid-20th century, stumbled towards each other amid the ruins of ancient civilisations.

It feels right, then, that this biography of Lawrence Durrell, only the second major one since his death in 1990, is by Michael Haag, who spent his career writing about the eastern Mediterranean. Haag’s best book was Alexandria: City of Memory (2004), which drew on the writings of Cavafy, EM Forster and Durrell to reconstruct the polyglot culture of the Greek, Italian, Jewish and Arabic population that flourished for centuries on the shores of north Africa. By the time of his own death in 2020, Haag had completed this biography of Durrell up to the year 1945, and the decision was made to publish posthumously. The result reads like an abbreviated account of Durrell’s life rather than an amputation: despite not becoming a significant literary figure until 1957, most of Durrell’s formative experiences had taken place by the time he left the city at the end of the war.

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Give Me a Word: The Collective Soul Story review – hyped-up account of nice-guy 90s mainstream rockers

Dolly Parton adds star power to this formulaic music documentary about Ed and Dean Roland’s band

Unless you are a big fan of what the American charts call “mainstream rock” and entering late middle age round about now, you may never have heard of 90s outfit Collective Soul. And yet this clearly band-endorsed documentary hypes them so much, you may question your own remembrance of things past. For instance, much is made of Collective Soul’s first big hit, Shine from 1993, which first broke out via airplay at an Atlanta college radio station, with the film giving the impression that everyone was humming this tune back in the day. This may not in fact have been the case: you might associate the time more with the likes of Whitney Houston, Nirvana and dancefloor fillers like Rhythm Is a Dancer.

It turns out that Collective Soul, named after a phrase in Ayn Rand’s The Fountainhead, is a classic rawk outfit with a guitar-heavy, chunky-riff and wailing-vocals sound, somewhat generic but enjoyable. The group is built around Stockbridge, Georgia, brothers Ed Roland (the lead singer and songwriter) and his rhythm guitarist brother Dean; they are the sons of a preacher man and father figures and old friends feature very heavily in their story. The film works its way through the band’s pre-history and story methodically, with Ed Roland dominant throughout as literally and figuratively the group’s loudest voice.

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Look at Wimbledon without human line judges and tell me this: do you really want life to be perfect? | Hugh Muir

They say say tech instead of people on court is progress, and perhaps it is. But society has hard calls to make: sometimes perfect is not worth having

It’s the perfect Wimbledon. The sun is out, the Brits are firing and as for the scoring, that too will be somewhat perfect, this being the first Wimbledon since the tournament told the line judges, long the arbiters of accuracy, that after 148 years, their services will no longer be required.

Arguments, unpredictability and, as the cameras zoom in to the line judge whose eyesight judgment prompts a participant explosion, buttock-clenching awkwardness in close-up: goodbye to all that. Hello, AI and sharp-eyed robots, analysing in real time 18 lots of footage.

Hugh Muir is a Guardian columnist

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